An
Interview with Master Kwon
The following interview is reprinted by permission, from the 1136-page book
"Hapkido: Traditions, Philosophy
Technique"
by Marc Tedeschi, published by Weatherhill (ISBN 0-8348-0444-1). Copyright 2000 Marc
Tedeschi. All rights reserved. No part of this interview may be used or reproduced for any reason by any means without written permission.
Grandmaster
Tae-Man Kwon
Tae-Man Kwon was born in 1941 in Andong, South Korea. He began studying
Taekwondo at the age of nine. In the mid 1950s he switched to Hapkido, a
martial art he would dedicate himself to for the next 40 years. He began
Hapkido training (called Yu Kwon Sul at that time) under Grandmaster Han-Jae
Ji, and was one of Ji’s earliest students. In 1964 Kwon opened his first
school in Inchon, where he instructed U.S. Army personnel stationed in
Korea. In 1971 he was promoted to master instructor by the Korea Hapkido
Association and became its chief judge, responsible for promotion-testing
and maintaining the association's high quality standards.
In 1973, looking for new opportunities, Kwon emigrated to the United
States, where he opened schools in Palos Verdes and Torrance, California.
During the intervening years, he served as vice president for the Los
Angeles-based International Hapkido Association, and developed strong
friendships with other masters based in California, including Bong-Soo Han
and Jong S. Kim.
Over the years, Kwon earned an exceptional reputation in Southern
California for his ability to help all types of people integrate respect,
discipline, and control into all aspects of their lives. His love of
teaching is evident in the personal attention he gives to his students. He
has instructed over 3,000 students of all ages, and has been featured in a
variety of martial arts magazines including Inside Karate, Karate
Illustrated, and Inside Taekwondo.
In the early 1990s, Kwon was promoted to 9th dan by Grandmaster Han-Jae
Ji, in recognition of his lifetime of service to the art of Hapkido. He
currently teaches and trains at his school in Torrance, California.

The following interview was conducted in Torrance, California, in July
1998. The selected material was edited down from several hours of taped
conversations with the author. In this interview, Grandmaster Kwon speaks
softly and thoughtfully about his personal philosophy, and a wealth of
experiences acquired during five decades as a martial artist.
How did you come to be involved in the martial arts?
After the Korean War, the entire country was very poor. At that time,
the best way to strengthen your mind and body was to learn martial arts.
When I was a young boy, my body was very weak. As you can see, I’m not
as tall or strong as other people. Initially I studied Taekwondo. But
later, I switched to Hapkido because I didn’t have the size or strength
to be effective using a hard-style martial art like Taekwondo. For a
smaller person like myself, Hapkido was better, since it involved many
soft-style techniques, joint locks, and pressure point attacks.
How did you find out about Hapkido?
Andong was a very small place. Han-Jae Ji had been studying under Yong-Sul
Choi, and he had recently opened a school in Andong. I trained there
together with other people.
Did you ever have the opportunity to train under Yong-Sul Choi?
No, I didn’t train under him. I did meet him at seminars for
instructors, at various times during the 1960s and 1970s. Hapkido was
originally called other names such as Hapki Yu Kwon Sul
Was this the same art as Hapkido?
Yes, the same art. Grandmaster Choi’s major students were Han-Jae Ji,
Moo-Hong Kim, and Bok-Sub Suh. There were many other masters as well. I
don’t know them all.
Did Hapkido have belt ranks at that time?
Oh yes. At that time we had white belt, brown belt, and black belt.
Only three belts.
What was your training regime like in those early years in Korea?
When we started training in Korea after the war, most schools were not
fancy like the schools you have here now. It was usually some kind of
warehouse. We didn’t have a real floor, just dirt. We would obtain used
rice-straw sacks that had been used to hold beans or rice. These sacks
were woven out of the grassy part of rice plants. I have never seen
anything like them here, but it is common in Korea. We would cut open
these rice-straw sacks and lay them down over the dirt floor, usually one
or two layers thick. This kept the dust down and cushioned our falls.
I remember during the winter we would need to spray water on the floor
to keep the dust down. It was so cold that it would turn to ice right
away. By the end of practice it would be all gone. We would practice at
least two or three hours. Never just one hour. One hour is too easy and
goes by too quickly. After a week the rice-straw sacks would be all gone,
just worn out. So we would have to replace them over and over again.
When we used to practice advanced kicks like the Spin Kick, our feet
would become cut from the rice-straw mats. Since we needed to practice, we
would wrap our cut toes tightly with thread. In a few weeks we would be
completely healed.
What did you do for training equipment?
At that time, we didn’t have much equipment. We would get old Army
duffel bags used for carrying clothing, and make them into punching bags. We would also
get used rice sacks, and fill them with rice to make a heavy-bag for
kicking or punching.
Did you ever train outdoors?
During the winter, we would all get up together, around 5 o’clock in
the morning. We would go up to the mountain and train in the snow. It was
very interesting. When you are running up a hill and jumping over logs,
you must move your feet very quickly. If you take big steps or go slow,
you will slip and slide down. We would wrap our ankles very tightly in
heavy cloth for warmth and support.
Today, when you are teaching people to kick, it can take a long time
before they become competent. In those days, you would learn to kick well
much more quickly, because our training sessions were much longer, and we
concentrated on making our bodies strong.
Of course, training is very different today?
Yes, very different. You cannot compare these days with the older days.
At that time, we were mostly learning how to make the body strong. After
practice, we would stay at the school a long, long time. It was also the
responsibility of all the students to clean up the school.
This is not true of your school today?
Some people volunteer. But most do not have the time before or after
class. If I ask them to help, it is a problem. Because they are paying for
training, they think someone else should do it. In Oriental martial arts,
cleaning the school is part of the discipline of training. It does not
matter whether you made it dirty. You must clean it up, in consideration
of the next person.
What brought you to the United States?
I came in 1973 with seven or eight other Hapkido masters at the
invitation of some colleges in Southern California. We had temporary work
visas. After my visa expired, I decided to stay. In Korea, I had opened my
own school when I was still in college, and taught U.S. Army soldiers for
many years. Teaching G.I.’s gave me the confidence to believe I could
teach in America.
Was there greater opportunity to teach Hapkido in America, compared to
Korea?
Yes. In Korea you had many martial arts schools and instructors. In
Southern California, master Bong-Soo Han came in the late 1960s, and
master Jong S. Kim around 1971. But other than that, there were not very
many Hapkido schools. Around 1974 the three of us created an association.
Are you still together?
We are all friends. Now we each have our own associations, but we still
work together.
Have you modified your teaching or techniques to adapt to American
students?
Yes. When I was training in Korea, we would train for two to three
hours a day, six days a week, sometimes Sunday. At that time, you would
earn a first degree black belt in about two years, learning around 700
techniques. Here people only train for an hour, a few days a week. In my
school, they earn a first degree black belt in about three and a half
years, but the systems are different, because the student’s training
time is much less.
So you have condensed the material and reduced the number of
techniques?
Yes. For example, when I was in Korea, I learned and taught 18
different pressure point techniques on the body. Here, I cannot teach 18
techniques, because already one month is gone by. You need to show
students less, with more quality. So I make five techniques out of
eighteen. Even then, you only need one technique for self-defense. Today,
I am teaching the same Hapkido techniques I learned, but not as many.
Have you modified Hapkido techniques over the years, to make them more
effective?
In Korea, your instructor would show you a technique. You must respect
what they tell you 100%. You cannot change it or contradict the
instructor. You just practice it over and over and over. In this country
it is different. When I teach you, sometimes a technique doesn’t work.
You ask why. I must have an answer. So I tell them, for your type of body,
you should do it this way. If your are tall, you do it this way. If you
are lady or have no strength, you do it this way. In this sense, Hapkido
has improved. There are also some techniques which are impractical and
rarely work. These I don’t teach anymore except at the very highest
level. This is because timing and technique is so critical.
What are some of the more memorable teaching experiences you recall?
I remember one of my students, who was a police officer. One day I
taught him a pressure point technique. Soon after, he was able to use this
technique on his job to move a very large, stubborn person with very
little effort. He came in very excited: "Master Kwon, already I got
to use this technique. It works!" He didn’t think about it, he just
did it. His partner was very surprised. Knowing that it works makes me
very proud. If I can help someone who is very inexperienced and unsure of
themselves to defend themselves in a real situation, this makes me very
happy for them. These are the things I remember most.
Today, students are often confused by the technical similarities
between Hapkido and similar eclectic arts such as Hwa Rang Do or Kuk Sool
Won. In fact, to the novice martial artist they appear the same. When
students ask you to explain the difference, how do you do that?
Lets take an example. Suppose you decide to open a school. Lets say
your main roots are Hapkido as taught by Han-Jae Ji, but you decide to do
some techniques differently because it works better for you. Although your
roots are Han-Jae Ji’s Hapkido, you are practicing his art a little
differently. It is no longer 100 percent Han-Jae Ji’s Hapkido. It is
still Hapkido, but it has become a different system. Maybe you study some
Kempo or something else and integrate these techniques into Hapkido—or
maybe you create many new techniques and add these. At some point you may
change the art so much that it is no longer Hapkido. So you give it a new
name. It is a new style, but its roots are Hapkido. Sometimes people will
give a system a new name because they wish to promote or establish
themselves. Sometimes they do not even credit their master or acknowledge
their roots. Historically, most martial arts did not even have names. They
were just collections of techniques. Anyway, this is how the martial arts
have evolved historically.
Hapkido, Kuk Sool Won, and Hwa Rang Do are similar, yet they differ in
small ways. For example, one may have more Chinese influence, and as a
result they will execute techniques slightly differently.
All martial arts continue to grow and evolve over time. How has Hapkido
evolved?
Hapkido’s main root is the same as it was forty years ago. Some
masters have added more techniques. There are also more combinations being
practiced.
When you say "combinations," do you mean that techniques are
being linked together into new or more sophisticated combinations?
Yes.
Has Hapkido changed a lot during the last twenty years?
Yes, its changed a lot. Here and in Korea, a lot of modern styles have
developed. In Korea, Se-Lim Oh [president of the Korea Hapkido Federation]
is providing very good leadership in attempting to unify people.
How will Hapkido evolve in the future?
I think there will be more emphasis on mental discipline, and
integrating mind and body. For example, some people have no natural skill
or confidence, and their body is weak. If you are just trying to teach
them physical techniques, you won’t help them. Getting them to execute a
good side kick, punch, or throw is impossible. You need to make their mind
strong first, then the body. This person needs to feel, "My mind I
can control, my body I can start training."
So you think there will be a greater emphasis on mind-training in the
future?
Yes. That is what people are looking for. That is what will make
martial arts teachers successful. If you just want to learn some
techniques, there are a lot of videos and books you can get. However,
teaching technique to a person without teaching philosophy is dangerous.
For example, maybe they will become a gang member. Even if you are
teaching a friend in your garage, you can still give them more than just
technique—history, philosophy, respect.
Over the years, I’m sure you’ve had prospective students come into
your school who were of questionable moral character. How do you deal with
those situations?
Usually I tell them, "You cannot learn this martial art."
Most of them don’t believe me.
They say, "Why can’t I learn?" I say, "You do this,
this and this. You have bad habits. Because you cannot change, you cannot
learn." So he becomes angry inside—not at me, at himself. He sees
other people learning and thinks, "No, I want to learn."
Basically I am using psychology. You have to help them understand what
their bad habits are. If they are really anxious to learn, then they will
change. In the beginning it is very difficult. It takes time. Later they
will come to appreciate what you have done. They will gain confidence,
respect, and be helpful to others. This kind of person will stay with the
school much longer than others.
What qualities make a good student?
A proper philosophy is very important. First, they must have respect.
If you respect me, then I respect you. If you do not respect me, then you
are only here to buy my techniques. Money is a totally separate thing. You
do not pay me because I am teaching you. No. You pay me because we need
help to keep this school running—utilities, maintenance, etc.
Self-respect is also very important.
You also need self-control. Otherwise a technique can easily injure or
kill someone. If you have self-control and respect, then you will want to
help other people. When a new student comes into a school, they are
naturally uncomfortable. Students should be helpful and make them feel
welcome. When you do something for someone else, don’t do it with the
expectation of getting something in return.
The last quality is, you always need to have love inside of you. There
are many different kinds of love, not only male and female love. For
example, self-love. I love my country. I love this flower. You must love
without expecting love in return. If you have love, then you can have
peace. If you have peace, then you cannot have anger or stress.
What qualities are important in a teacher?
Don’t show your feelings right away—anger or happiness. Keep these
things inside your mind. Express these feelings when it is important. If
you are always praising or punishing students, then they will become used
to it, and it will lose its effect.
Southern California is one of the densest and most populated markets,
in term of martial arts schools. There are more world-class martial
artists per capita here than anywhere in this country. You have been
running your school since the early 1970s. In your opinion, what factors
influence the success or failure of a martial arts school today?
Being very good at punching or kicking is not enough to make a
successful martial arts business. Here in Torrance, there is a martial
arts school every block. In Korea, 30 to 40 years ago, we trained in
warehouses. Now you must have a good location and a clean, modern
facility. Today, it is very rare to get a "serious" student who
wants to learn martial arts. Now it is mostly just the general public who
trains. They just want to learn some self-defense to protect themselves,
and gain some confidence. They want to learn these things quickly, then
leave. This is not "learning martial arts," since there is no
philosophy or mental development. Today, if you are expecting students to
stay 10 or 20 years, you will not create a successful business.
Nobody stays long-term anymore?
You will get one out of a hundred—maybe.
Is that disappointing for you?
Very disappointing. Some people are serious about learning, but their
job changes, or they get married or go to college. If their life changes,
what can you do? I cannot ask people to sign up for five or ten years.
Even just one year is too long a commitment for most people. They want to
be able to change their mind, for whatever reason. Today, that is why I
feel it is not possible to be rich and successful teaching martial arts.
But this is my job and my life. I enjoy teaching—children, adults,
women. If you do not enjoy it, then you cannot teach. Especially if you
are just thinking about business and money.
When you look to the future, are there any areas of study you would
like to pursue?
In the future, if I have some free time, I would like to go to China
and study the philosophy of the Shaolin temple. I would also like to go to
India and study yoga and meditation. Although all martial arts have
different names, they are of one philosophy.
What would you study at Shaolin temple?
Mostly meditation. I no longer have a young body, so physical
techniques are less important to me. At my age, even now my Ki-energy is
such that I can kill without touching—just looking. But for me, my Ki-Gong
[internal energy work] is still not strong enough. I want to develop it
more. In the future, I would like to go to the mountains or a secluded
place, to focus on these things.
Sounds nice.
Yeah [thoughtful pause]. These days you couldn’t believe how busy I
am. Yesterday I finished teaching about 9 pm. Went home, took a shower, it
was 11 pm. I got up at 3 am and worked on business till 8:30, then I came
in to teach at 9 am. At 11 or 12 o’clock, I will need to take a short
nap. Classes start again at 4 pm. This is my schedule every day except
Sunday. Someday I hope to be free to go someplace and not think about
business.
Do you ever get together and train with masters Bong-Soo Han or Jong S.
Kim?
These days we are too busy. Five or ten years ago we would meet about
once a month. During the 1970s, we would go to each others’ schools for
promotion-testing of students. Also, since each of us had his own
particular area of expertise—for instance in specific weapons—we would
share this knowledge with the black belts from our various schools.
It must have been very rewarding to share these things with each other.
Yes. Yes.
It was fortunate that you all lived in this area.
Yes it was.
As you look back over your lifetime in the martial arts, what gives you
the greatest sense of satisfaction?
If I had not learned martial arts, I might not have my health today.
Many people smoke
and drink, or do other things which are not healthy. Life is sometimes
happy, and sometimes sad. But because I have martial arts training, I have
been able to control these things, by myself. No matter what happens, I
always feel peaceful. I am not a young person, but this art makes me
young.
When many people come to meet me, they are expecting to see a martial
arts master who is large and powerful. When they see me, they think,
"He looks so small. How can he do these things?" I can easily
throw someone who is 250 pounds, by using their strength against them. I
show them how. Because of this, my students have trusted me and my
business has been a success.
I am no longer a young man. So I think about things differently now,
compared to twenty years ago. Who knows what will happen tomorrow, maybe I
will be dead. Now, I think a lot about "how can I help other
people?" This is what I try to do in my teaching. If I had chosen
another job for my life—other than martial arts—maybe this would not
be possible. 
Copyright 2000 Marc Tedeschi. All rights reserved. No part of this interview may be used or reproduced for any reason by
any means without written permission.
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